For anyone who can’t use the embedded player, here is the link.
For anyone who can’t use the embedded player, here is the link.
With Wildflower Crown set to come out in June, I’ve been looking into making a book trailer. Now, it’s important to note that book trailers are not the same as movie trailers. Especially for indie authors, you’re not going to have actors acting out things that happen in the book and showing clips of it. You can, if you want, but your trailer is likely going to flop. This is an amazing trailer, but unless you’re willing to shell out a lot of money (or you happen to be a talented film student), it isn’t going to happen:
So if you can’t make a trailer like that, what is it going to be like? Well, you’re going to have pictures and words. Narration, possibly, if you or a friend has a nice voice and a nice microphone. Here is an example of a good book trailer than anyone could make:
That was pretty basic, but it covered all the bases. It described the book without sounding like someone just copied the book description and threw it in there, the images were right and went together well, and the music went with it. If this is the kind of book trailer you want to make, read on and I’ll tell you how!
This script isn’t going to be the same as your book description. The book description says, “Okay, this is what the book is about,” while the trailer is saying, “Look, this is going to be awesome. Get excited.” When you see a movie trailer, do you always know what’s going on? No, and it can be the same for a book trailer.
Tip: Avoid being too wordy, especially if you’re using text instead of narration. You remember that teacher whose PowerPoint was always a block of text and you could never copy it down in your notes before she changed to the next slide? It will end up just like that.
It’s important to use free stock images (or paid ones, if you’re paying for them). Don’t just Google “Girl with glasses” and use a random picture. That’s violating copyright. Just search around for pictures that go with your script on http://morguefile.com/ or http://www.freeimages.com/ or whatever site you like to use. People likely aren’t going to be watching your video in full screen, but you should still make sure that your images are big enough to look good in the video.
Tip: Sometimes, you need to use search terms that are tangentially related to your subject. I was looking for a castle and couldn’t find one I liked, so I searched “dark” and found dreary castle ruins that fit perfectly.
Again, don’t just rip a track from Pitbull’s new album and stick it in there. In some cases, this is okay and the worst the artist will do is put ads on your videos and collect money from that, but they could also decide that you’re violating their copyright of their music and have your video taken down. For modern novels obviously modern music could work, so if you want to use a song from your favorite artist see if it’s already on YouTube (if someone else made a lyric video 4 years ago, your video is unlikely to be taken down) and clearly state that you don’t claim ownership of the music.
Tip: Google “royalty free music” for stuff you can use without hassle. Lots of classical music can also be used royalty free.
I use Windows Movie Maker. It’s easy and since what I’m doing is simple, it gets the job done. It’s free for anyone with Windows (though if you can’t find it on your computer you may have to download it). If you’re familiar with another program you can of course use that, and there are plenty of other free programs out there (though I’ve never personally used them, so I won’t recommend any).
When editing things, don’t be afraid to use animations, but don’t overdo it. You want some movement to keep things interesting, but you don’t want every picture spinning away or dissolving like a PowerPoint presentation from 2007.
Tip: Take the time to learn to use your program. Fiddle around with random vacation pictures or something and see all the effects you can create.
Whether you think the trailer you made is awesome or crappy, ask someone else. Depending on how much time you’ve put into it, you might just not be able to see it with a clear head.
Tip: If you’re afraid they might be trying to be nice but you have no one else to ask, purposely make a mistake. Distort an image so it’s very low quality or purposely change the text color so that it’s hard to see. If your test viewer doesn’t say anything, you definitely need a third opinion.
An example of a bad trailer:
An okay trailer:
So, now that you’re all prepared to make your book trailers, feel free to paste the links into the comments! The trailer for Wildflower Crown is out so you can see here how well I took my own advice.
There hasn’t been much activity going on here because I’m graduating in two weeks. I don’t actually have that much school work to do anymore, but I’ve been working on writing and creating medical emergencies. (Alright, well, it’s not an emergency. My tooth just hurts, but still.)
On the proofreading front: I’m at chapter seven of Wildflower Crown, which is a little over halfway through. It’s slow work since I don’t want to speed the text-reading software up and miss a mistake, so once I start wishing death upon the voices (there are three: David, Hazel, and Zira) then I have to take a break, which leads us to the next point.
On the writing front: I’ve started my next novel which doesn’t have a title. I’ll be writing it all summer while finishing the edits on Wildflower Crown and starting the edits on Only in Whispers. It is very, very loosely based on Rapunzel (as in, there is a tower), and that’s all I’ll say for now.
On the snow font: Yeah, it snowed. In April. Two days before it snowed it had been 70 degrees (21 C for you non-Americans). This isn’t some kind of record and none of it stuck, but I’m still unamused.
On the teeth front: Did you know that chocolate chips are named literally? They are chocolate that chip. I bit down on one at a weird angle while eating a cookie and it chipped my tooth. I don’t know whether to call it a crack or a chip because it’s a molar that chipped off into the gum (so it’s still there) but either way I get to go to the dentist. Yay.
Wild has been running her whole life from a power she never asked for. Determined to fill her life with excitement and fun, she’s done everything she could to push her dark secret from her mind. When outlaws come to her with a proposition to infiltrate the castle and switch places with the princess, she immediately accepts the job. What could be more fun than being a princess?
Daivat’s life has always been structured and orderly. He wakes every day at dawn and practices tirelessly at his knife work. His dream is to be a member of the king’s personal guard, but first he must prove himself by keeping an eye on the imposter princess while she fools visiting nobles into thinking she’s real royalty.
As the queen struggles to keep the kingdom from war and the real princess fights to survive the outlaws, Wild and Daivat must endure each other as their personalities collide. Can Daivat bring order to Wild’s life, or will Wild turn Daivat’s life upside down?
Now, this might not be that exciting as I’ve had variations of this cover posted around the site when I thought there would be an earlier publishing date, but here is the official cover! (Alright, so the font might change, but that’s it, I swear!)
Wildflower Crown will be coming out in the beginning of June, the 1st or 2nd depending on how Amazon handles things. All that’s left to do is proofreading and deciding if I’m going to stick with the alternative ending I just came up with two days ago! I’m really excited about this book, so I hope you all like it and don’t get sick of me talking about it constantly for the next few months 🙂
April is Sexual Assault Awareness Month. It just so happens that I’m currently working on a presentation for stalking for school, so I figured I could share some knowledge with all of you. I will cite my sources the best I can and put them at the bottom, but know that they are journal articles so unless you’re affiliated with a university it’s likely that you won’t be able to access them for free.
Temporary note: Dr. Marshall, if you find this when checking my ABs for plagiarism this is me, I promise.
Until fairly recently, stalking wasn’t a recognized crime, but it existed well before that. Personally, I know that my aunt was stalked before I was born and while she got a restraining order for harassment, the police didn’t do anything to put an end to her stalker’s pursuit of her. It wasn’t until she got married that he finally left her alone. The stalking went on for years.
In 1994 in California stalking was officially deemed a crime. In England and Wales, it was the Harassment Act introduced in 1997 that provided protection for stalking victims but wasn’t until 2012 that the word “stalking” was actually put in legislation to further protect victims (Scott, Nixon, & Sheridan, 2013). Stalking is defined as “repeated pursuit and harassment of another causing fear or bodily harm” (Menard & Pincus, 2012, p. 2184).
Because it is so new, there are some problems with its definition. For one, stalking is a gender-biased crime. Women are more likely than men to fear their stalker (Owens, 2015), and without the fear element stalking is simply considered harassment. These victims go through the same experiences, but when a women would fear a man showing up at her workplace a man might simply be annoyed if a girl who had been staking him showed up at his favorite bar. While stalking victims are typically women and stalking perpetrators are typically men (Menard & Pincus, 2012), any combination of gender or sexuality is possible. I had a very unlucky roommate who was stalked by a lesbian and a straight male within a single year.
Estimates vary wildly for how prevalent stalking is in the United States. Some estimates guess that 2% of men and 8% of women will be stalked in their lifetime (Reyns & Englebrecht, 2012) to 7% of men and 16% of women (Kraaij, Arensman, Garenfski, & Kremers, 2007). Chances are that you know someone who has been stalked or has stalked someone.
Stalking isn’t just about someone calling you repeatedly and constantly checking up on your Facebook. It isn’t annoying or humorous, like some girls seem to think when they utter the phrase, “Ugh, he remembered my birthday, what a total stalker.” Men and women have been killed by their stalker or sustained other serious injuries. Women can suffer PTSD, depression, and anxiety.
In addition, stalking can affect women’s employment. Stalking has been associated with absenteeism from work, reduced productivity, and increased likelihood of losing their job. The victim’s place of work may be the easiest way to target her, so her performance at work may suffer. One study interviewed stalking victims and found that women reported on-the-job harassment, being disrupted at work, and job performance problems. One women described how during her shifts at an emergency room her stalker would call every five minutes asking to talk to her, disrupting her work and creating friction between herself and her coworkers. One woman reported that she was afraid to go out and look for jobs because she knew as soon as she hit the street her stalker would be there waiting for her (Logan, Shannon, Cole, & Swanberg, 2007).
The common misconception is that most stalkers are strangers who see you across a crowded bar and follow you home, but that simply isn’t true. Stalking is like rape in that a very small percentage of cases happen between total strangers, and when it does in 50% of cases it doesn’t last longer than two weeks. Stalkers usually know their victims and may be an ex-lover or even a current partner (Weller, Hope, & Sheridan, 2013).
One study randomly assigned laypersons and police officers to three conditions. They were told that the victim and the perpetrator were either coworkers, ex-partners, or strangers. Participants were then asked to rate items on a Likert scale describing the extent of the stalking (if any) and the severity of the situation. Even the police were more likely to believe that the case of the stranger stalking the victim was the most severe, but almost all studies in stalking violence say that the opposite is true (Weller, et al., 2013).
Another study looked at cases where abusive relationships turned into stalking relationships. Over half of participants experienced jealousy, isolation, and criticism during their relationships, while only 22.3% experienced sexual violence and only 11.4% experienced property damage. The significant predictors of violence were found to be threats of violence during stalking, if the stalker abused drugs, and jealousy of the former partner (Roberts, 2005).
Like with any crime, don’t blame the victim. This might seem obvious, but in the study I mentioned where laypersons were asked about their perceptions of the different stalking behaviors many indicated that the victim had some level of blame. She had to have led the guy on, right? She was being flirty. She was texting him back at first!
Just like any other crime, stalking happens because the perpetrator has bad intentions. It has nothing to do with the victim. Some studies suggest that stalkers stalk people to regain control in their lives when there an imbalance of control already evident (Nobles & Fox, 2013) while others find that child abuse and unhealthy attachment styles were most predictive of stalking behaviors (Menard & Pincus, 2012).
If a friend comes forward talking about something that sounds like stalking (repeated unwanted behaviors) urge them to talk to the authorities about it. Here is a database of places to call in the United States if you’d like to talk to someone anonymously and here is the UK stalking hotline (0808 802 0300). You can also go to your local women’s shelter (yes, men can go there too!).
If you are being stalked or harassed, you don’t have to live with the fear. Make a plan and contact someone who can help, whether that be the authorities or a family member. Don’t be afraid to speak up.
I write romance. I read romance. I watch romance. I live romance. One of the biggest deals in romance is the first kiss, yet for the life of me I am not satisfied with the quality of the kissing scene in Wildflower Crown. I want them to be better than my previous novel, to set the stage for the rest of my books. I want to make women swoon! And men too, I guess, but I’m pretty sure they don’t swoon all that often.
My problem is that my scenes appear too mechanical. I struggle with balancing describing what is actually happening and not having it read as “insert Tab A into slot B.” Maybe I’m the only one who will notice it, in the end, but if I get it smooth enough that when the person who crafted (which would be me) it is absorbed into the scene then I know I will have done a good job.
However, when I try to veer away from the mechanical and go towards the metaphorical, I end up making it sound ridiculous. Maybe this would be a little more forgivable in modern romance, where at least you can say “Electricity shot through her,” but I find myself stuck on this one scene thinking, “What the hell do I write now?”
“He leaned in and kissed her. Their lips came together gently, like two pillows smashing together. Her lips were soft as if he was rubbing his face against one of the aforementioned pillows. Heat spread through him like someone had dropped boiling fondue on his chest then washed it off with very warm water.”
Needless to say, the scene above will not be in the final draft, but I’ll be damned if you don’t read Wildflower Crown and think, “Oh well that was a nice kiss.” I’ve decided that to accomplish this, I won’t actually use the word “kiss” during the action. It was one of the many tips I found while Googling about, the best of which can be found here.
I mentioned in a post before (I think) that I downloaded a new text-to-speech program that I found and enjoyed. I put Kiss of The Fey in chapter by chapter to sort out the remaining typos. I think it was only a month or so ago that I did the same thing by reading Kiss of The Fey on my Kindle, and I was sure that all the typos were gone, but I still went and found a bunch more with the text-to-speech program.
Clearly, little gremlins have been going through my work and putting typos where they have no business being. Obviously, I am not amused. If they put in any more after this, I am just throwing up the white flag in surrender. I can’t afford an editor and I cannot read through Kiss of The Fey another time this year. Maybe the next two years. I just hate it so much that it will cause me physical pain to do so until I take some time away from it.
Don’t get me wrong, I still like the story and I’m still proud of myself, but I’ve read it something like a dozen or more times in the last year and not only will it hurt, but I think that if I read it again I may actually die.
I need more reviews for Kiss of The Fey both overall and ones that don’t mention typos, so I’ll be doing a free promotion on Amazon next weekend. At the end it will also include the first sneak peak at Wildflower Crown! Just the prologue so far, though both the prologue and the first chapter will be available before Wildflower Crown goes on sale.
As for Wildflower Crown, the publishing date is set right now to be June 1st, but I don’t know if that will happen as planned or not. I just got finished with the 3rd draft and so I don’t get sick of it like I have with Kiss of The Fey, I’ll be waiting a few days before starting the final content edit… which will then be followed by heavy proofreading. And more gremlins. Yay. At the very least, reading it over with the text-to-speech program FIRST should save me a lot of grief.
I think my writing has improved since my previous novel and that Wildflower Crown will be a really enjoyable read. Hopefully. (Obviously I write with the intention of having other people read it and enjoy it!) It’s little more fun than Kiss of The Fey, I think the characterization is a little better, and hopefully in my initial release when I go around begging for reviews the reviews won’t mention any typos. I’m not messing around this time!
So I’ve been an author for six months now and I think I can say without a doubt that I know everything there is to know about being an author. Since there is literally nothing left for me to learn, I’ve decided to be generous and share my vast knowledge with my lowly followers.
Seriously, a lot of people will tell you to do the exact opposite, but don’t listen to them! Reading will only cloud your judgment and make your own novel worse. Do you want that to happen? NO. Not only that, but you might accidentally lift elements of that story and end up PLAGERIZING. You SERIOUSLY don’t want to do that, do you? And you waste so much time reading when you SHOULD be using that time for WRITING.
Marketing is very important! If it’s not obvious that you have a book out when people visit your blog, you’re not going to sell any books! Make sure that there are AT LEAST three links to your book on every blog post, otherwise it’s like you don’t even have a book out. You should always ALWAYS always tell new followers/ commenters of your book and where you can find it. I like to use a copy/paste message with a link to my book on Amazon that I send to everyone who comments on, likes, or follows my blog! This is also a good idea on Twitter, to immediately tell new followers where to buy your book!
Like I said, marketing is very important! If your book has bad reviews, no one is going to want to read them! You have to be aggressive and go after the bad reviewers, explaining how they’re wrong and telling them to either remove their bad review or change it to AT LEAST a four star review. NEVER accept a one or two star review. That’s career suicide!
I understand that many of you starting out may not have enough fans to put together an FAQ, so you can just make some up! By acting like the questions you’re answering are asked a lot it will make it look like you’re more popular than you actually are and get people interested in you and your work!
Being an author is a JOB. You’re in it for the money! If you write a book no one wants to read, you’ll end up under a bridge! ALWAYS write about whatever is currently trending. Right now, I’d suggest a vampire BDSM book!
What is a story without a main character? NOTHING! Your readers NEED to know what your main character looks like, from the color of their eyes to that birthmark on their left buttock. The best way to do this is to open your book with your character looking in the mirror and describing everything they see! It’s both comprehensive and immediate, so your readers will start off knowing just what they look like down to the smallest details!
All you need is a good story. If your character loves lemons in chapter one but hates them in chapter ten, no one is going to notice! As long as the story goes on, it doesn’t matter if things are consistent as long as there is lots of action!
You aren’t writing JUST to make money; your book has to SAY something! Whether it be about gay rights or abortion or feminist issues, make sure your book has a hidden agenda! Your book is useless if it just tells a story; it also needs an important lesson that will stick with your readers!
You know the saying “Don’t judge a book by its cover”? It’s completely true! Readers don’t care what your covers look like, they’re only reading your description! Just look at these covers, and these books are published!    
Alright, but in all seriousness, don’t listen to any of this advice. (Also, to be fair, books with terrible covers can sell   but only if you already have a huge fan base and a bunch of books already out.)
Those who care about the feelings of others need not apply.
Start by adding comments like “Oh, really?” or “I never would have guessed!” after someone says something incredibly obvious. If the person does not realize that you are being sarcastic, continue making them explain whatever they have just told you while you listen with rapt attention.
Never give people a straight answer. If someone asks you how you feel after you broke your leg, for example, say something along the lines of “I feel spiffing! The doctors think that by next week I’ll be back on my feet and taming lions in no time!” The use of outdated language and over-the-top enthusiasm will ensure people that you are being completely sincere and are not at all insulting them.
Talk in a dead tone of voice. Never put any emphasis on a word unless issuing a direct insult. For example, “You wouldn’t believe how excited I am!” should be said in a flat voice, while “I can’t believe how interesting you are!” should have emphasis, so that even those with the thickest of skulls will realize that you are mocking them.
In the event of someone telling you that sarcasm is the lowest form of wit, tell them that stupidity is the highest form of entertainment.
Tell people absolutely random shit. End the sentence with, “What do you think?” For example, if someone asks about the weather, reply with something along the lines of “It may be cloudy now, but I sense that a giant tornado will come and carry us to Oz where we may frolic in the sun with members of the lollipop guild. It’s going to rain, what do you think?”
Always use sarcasm in the presence of authority figures. This includes teachers, parents, bosses, and the police. For example, when asked if you were the one involved in hit and run case, reply with “No, of course it wasn’t me! His brains were all over my car, there was a positive ID on my license plate, and four witnesses saw me drive away, but it couldn’t have been me! I’m sure it was just someone who I happened to have all the above things in common with.”
Once you have mastered the art of sarcasm, use it on a daily basis. Eventually, you will become so good at it that no one will ever be able to tell whether or not you’re being serious. For example, when your friend asks you about the game last night, and you reply that it was very exciting, your friend will roll your eyes and tell you not to be so goddamn sarcastic. What they won’t know is that you actually were excited about the game, and that you are just such a master that they’ll never know what you’re truly thinking.
Being part of a writing community is fantastic. Whether it be a writers’ group on Facebook (like I’m in) or a close group of friends, it’s nice to know that you can share your passion with someone who understands and get feedback on your work.
Lately, I’ve found myself asking a lot of questions.
“Would you hate this character if he did X?”
“Does this scene come off too creepy?”
“Is this typical for erotica, or should I take it out because it’s not really that sexy?”
While it’s great to have feedback, I realized that I was asking too much. If I asked a question every time I had a doubt about something in my novel, it’d be a list of questions as long as the novel itself. It’s nice to hear that yes, your character Bob does come off as being sensitive and edgy, as you wanted, but if you rely too much on what others say, you’re going to lose your writing voice.
On the same group I started asking too many question to, I see a girl who posts something almost every single day.
“Will this sell even though my character is a strong female who talks back?”
“Will people still buy this even though the romance happened a little too fast?”
“Would you buy a story about a prince and princess if the princess is really smart?”
Basically, this woman is obsessed with what will make her book marketable and what other people want her to write. You should write for your fans, yes, but you HAVE to write for yourself. If you’re not, then you’re going to be miserable.
When you ask yourself whether something is working out or not, you don’t need to ask someone else’s opinion. Analyze the scene in relation to the story at large. Go with your first instinct when writing it all in the first draft, then agonize over those little details in the second or third. The time for getting opinions is during editing, when you have an editor or beta readers looking over your work.
Sometimes you may ask yourself “Am I writing the right story?” If it’s a story you feel needs to be told about characters with strong voices that you’re proud of, then the answer is yes, and you don’t need anyone else’s confirmation to tell you that.